"Fantasia on Greensleeves" by Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd was released on July 9, 2003. With this song being about 5 minutes long, at 4:35, "Fantasia on Greensleeves" by Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vaughan Williams: Fantasias / Norfolk Rhapsody / In the Fen Country / Concerto Grosso by Ralph Vaughan Williams, James Judd. The song's track number on the album is #4 out of 9 tracks. Fantasia on Greensleeves is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fantasia on Greensleeves by Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Fantasia on Greensleeves being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pachelbel: Canon | Johann Pachelbel, I Musici | B Minor | 1 | 10A | 85 BPM | ||
Bagatelle in A Minor, WoO 59 "Für Elise" - Live | Ludwig van Beethoven, Vladimir Ashkenazy | A Minor | 0 | 8A | 134 BPM | ||
En Aranjuez Con Tu Amor | Joaquín Rodrigo, Alfredo Garcia Segura, Fernando Lima | A Minor | 1 | 8A | 110 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
The Vintner's Daughter, Twelve Variations on a French Folksong, Op. 23A: Vars. 5-6 | Miklos Rozsa, James Sedares, New Zealand Symphony Orchestra | B♭ Major | 3 | 6B | 84 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Adagio for Strings and Organ in G Minor | Remo Giazotto, Stuttgart Chamber Orchestra, Karl Münchinger | C Minor | 1 | 5A | 66 BPM | ||
Méditation de Thaïs | Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso | E Minor | 0 | 9A | 96 BPM | ||
Adagio for Strings and Organ in G Minor | Remo Giazotto, Eriko Sato, Edward Brewer, Orpheus Chamber Orchestra | C Minor | 1 | 5A | 172 BPM |
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