On January 1, 2006, the song "Galop infernal" was released by Jacques Offenbach, Marco Sollini. The duration of Galop infernal is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Galop infernal's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Offenbach, J.: Piano Music, Vol. 2". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Based on our statistics, Galop infernal's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Galop infernal by Jacques Offenbach, Marco Sollini having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Also sprach Zarathustra, Op. 30: Sonnenaufgang | Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra | C Major | 1 | 8B | 76 BPM | ||
Waltz "Minute" N°6-8, Op. 64 | Luc Devos | D♭ Major | 2 | 3B | 107 BPM | ||
Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | Arcangelo Corelli, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 73 BPM | ||
Radetzky-March, Op. 228 | Johann Strauss I, Hungarian State Orchestra, Janos Ferencsik | A Major | 3 | 11B | 102 BPM | ||
Rondo Alla Turca | Wolfgang Amadeus Mozart, Klára Würtz | D Major | 2 | 10B | 133 BPM |
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