Franz Schubert, Edith Mathis, Christine Weidinger, Carol Wyatt, Vienna Radio Symphony Orchestra, Theodor Guschlbauer's 'Die Freunde von Salamanka, D. 326, Act I: No. 5, Trio. Lebensmut und frische Kühlung' came out on 1981. With this song being about 5 minutes long, at 5:21, "Die Freunde von Salamanka, D. 326, Act I: No. 5, Trio. Lebensmut und frische Kühlung" by Franz Schubert, Edith Mathis, Christine Weidinger, Carol Wyatt, Vienna Radio Symphony Orchestra, Theodor Guschlbauer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "Schubert: Die Freunde von Salamanka, D. 326; Der Spiegelritter, D. 11". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Freunde von Salamanka, D. 326, Act I: No. 5, Trio. Lebensmut und frische Kühlung is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Freunde von Salamanka, D. 326, Act I: No. 5, Trio. Lebensmut und frische Kühlung by Franz Schubert, Edith Mathis, Christine Weidinger, Carol Wyatt, Vienna Radio Symphony Orchestra, Theodor Guschlbauer having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento No. 1, Op. 20: IV. Verbunkos | Leó Weiner, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 107 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuet - Remastered 2024 | Johann Sebastian Bach, Orchestre Des Cento Soli, Hermann Scherchen, Cento Soli Orchestra | B♭ Major | 2 | 6B | 85 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Elias, Op. 70: Teil I: Was hast du mir getan | Felix Mendelssohn, Thomas Hengelbrock | C Major | 3 | 8B | 107 BPM | ||
Tannhäuser, Act 2, Scene 4: Freudig begrussen wir die edle Hall | Richard Wagner, Klaus König/Lucia Popp/Bernd Weikl/Waltraud Meier/Kurt Moll/Siegfried Jerusalem/Donald Litaker/Rainer Scholze/Gabriele Sima/Vier Tölzer Knaben/Chor des Bayerischen Rundfunks/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink/Walto, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | B Major | 2 | 1B | 65 BPM | ||
Misatango, Misa a Buenos Aires: IX. Et resurexit | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 203 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
Triumph! Triumph! Sie is vollbracht... (Les Dames) | Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Serena Jurinac | E♭ Major | 1 | 5B | 72 BPM | ||
Symphony in C Major, Bryan C11 "Il comista": I. Allegro con brio | Jan Krtitel Vanhal, Munich Philharmonic Chamber Orchestra, Michael Helmrath | F Major | 0 | 7B | 70 BPM |
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