Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Serena Jurinac made "Triumph! Triumph! Sie is vollbracht... (Les Dames)" available on November 6, 2013. With Triumph! Triumph! Sie is vollbracht... (Les Dames) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker's "La flûte enchantée" album is number 3 out of 20. Triumph! Triumph! Sie is vollbracht... (Les Dames) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Triumph! Triumph! Sie is vollbracht... (Les Dames) by Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Serena Jurinac to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D Major, Op. 123, "Missa Solemnis": Kyrie: Christe eleison | Ludwig van Beethoven, Pamela Coburn, Florence Quivar, Aldo Baldin, Andreas Schmidt, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Major | 3 | 9B | 89 BPM | ||
Te Deum in C Major, WAB 45: 4. Salvum fac | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | F Minor | 0 | 4A | 68 BPM | ||
Mass in C Major, Op. 86: Credo: Et vitam venturi saeculi | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | ||
Missa solemnis in D major, Op. 123: II. Gloria: Quoniam tu solus sanctus. Allegro maestoso | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | F Major | 1 | 7B | 81 BPM | ||
Misatango, Misa a Buenos Aires: X. Credo in spiritum sanctum | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 81 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30: Sinfonia | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 26. Chor: Vollendet ist das große Werk | Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | B♭ Major | 4 | 6B | 97 BPM | ||
Der Traumfänger des kleinen Timmy | Kita Kurzgeschichten | E♭ Minor | 0 | 2A | 114 BPM |
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