"Misatango, Misa a Buenos Aires: X. Credo in spiritum sanctum" by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra was released on January 6, 2017. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Palmeri: Misatango, Misa a Buenos Aires". In this album, this song's track order is #10. Misatango, Misa a Buenos Aires: X. Credo in spiritum sanctum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Misatango, Misa a Buenos Aires: X. Credo in spiritum sanctum by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in B-Flat Major, RV 583: II. Andante | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | B♭ Major | 3 | 6B | 94 BPM | ||
Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 168 BPM | ||
Mass in D Major, Op. 86, B. 153: I. Kyrie | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 83 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Annelies (chamber version): III. The plan to go into hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 173 BPM | ||
Aaria, Kun Herra Kulkee Pyhään Kaupunkiin | Markku Liukkonen | C Minor | 2 | 5A | 137 BPM | ||
2. Coro: Sein Odem ist schwach | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | B♭ Minor | 1 | 3A | 121 BPM | ||
Messe solennelle de Pâques: II. Introït Kyrie | Martial Caillebotte, Mathias Lecomte, Orchestre Pasdeloup, Michel Piquemal, Choeur régional Vittoria d'Île-de-France | A Major | 0 | 11B | 78 BPM | ||
Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 77 BPM |
Section: 0.5955913066864014
End: 0.6019949913024902