Robert Schumann, San Francisco Symphony, Michael Tilson Thomas's 'Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft)' came out on November 10, 2017. With this song being about 5 minutes long, at 5:11, "Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft)" by Robert Schumann, San Francisco Symphony, Michael Tilson Thomas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Schumann: Symphonies Nos. 1-4". In this album, this song's track order is #16. Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft) by Robert Schumann, San Francisco Symphony, Michael Tilson Thomas having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 137 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
24 Préludes, Op. 28: No.4 in E minor - Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 111 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | D Major | 2 | 10B | 119 BPM | ||
13 Préludes, Op. 32: No. 12. Allegro in G-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | D♭ Minor | 0 | 12A | 66 BPM | ||
Chopin: Scherzo No. 2 in B-Flat Minor, Op. 31 | Frédéric Chopin, Simon Trpčeski | D♭ Major | 1 | 3B | 131 BPM | ||
Giselle: Valse | Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM |
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