"Mass in C Major, Op. 86: Credo: Et vitam venturi saeculi" by Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling was released on January 1, 2000. The duration of Mass in C Major, Op. 86: Credo: Et vitam venturi saeculi is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Mass in C Major, Op. 86: Credo: Et vitam venturi saeculi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 16 in Beethoven: Mass in C Major, Op. 86 by Ludwig van Beethoven. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Mass in C Major, Op. 86: Credo: Et vitam venturi saeculi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in C Major, Op. 86: Credo: Et vitam venturi saeculi by Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur | Joseph Haydn, Patricia Rozario, Catherine Robbin, The English Concert Choir, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 141 BPM | ||
Requiem in E-Flat Minor: VI. Lacrymosa | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova | E♭ Major | 0 | 5B | 167 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Choeur, "Ah! dans ce bois tranquille et sombre" (Nymphes, Bergers) | Christoph Willibald Gluck, Monteverdi Choir/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | C Minor | 1 | 5A | 81 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 68 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart, Helmuth Rilling | D Minor | 1 | 7A | 70 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
The Pirates of Penzance: How Beautifully Blue the Sky | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM | ||
Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 9, Nun beut die Flur das frische Grün | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg | B♭ Major | 3 | 6B | 117 BPM | ||
11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 7. Kommt dir manchmal in den Sinn | Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling | E♭ Major | 1 | 5B | 103 BPM |
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