"Requiem in E-Flat Minor: VI. Lacrymosa" by Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova was released on April 19, 2024. The duration of Requiem in E-Flat Minor: VI. Lacrymosa is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Requiem in E-Flat Minor: VI. Lacrymosa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Józef Kozłowski, Singapore Symphony Orchestra, Singapore Symphony Chorus & Youth Choir, Hans Graf, Olga Peretyatko, Olesya Petrova, Boris Stepanov, Christoph Seidl's "Józef Kozłowski: Requiem" album is number 6 out of 11. On top of that, Netherlands appears to be the country where this track was created. The popularity of Requiem in E-Flat Minor: VI. Lacrymosa is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in E-Flat Minor: VI. Lacrymosa by Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux | Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Dies Irae | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Proficiscere, anima Christiana | Edward Elgar, Gabrieli, Paul McCreesh, Andrew Foster-Williams | D Major | 0 | 10B | 85 BPM | ||
Józef Kozłowski: Polonez na temat opery Westalka | Józef Kozłowski, Cyprien Katsaris | D Major | 1 | 10B | 166 BPM | ||
Misatango, Misa a Buenos Aires: I. Kyrie | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 90 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: V. Chor mit Sopransolo "Mit Staunen sieht das Wunderwerk" | Joseph Haydn, Orchestre des Champs-Élysées, Philippe Herreweghe, Christina Landshamer | C Major | 2 | 8B | 99 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Cavatina da capo: Se d'un Dio fui fatta Madre | Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda Fink | B Minor | 1 | 10A | 69 BPM | ||
Un Sarao de la Chacona | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 145 BPM | ||
Magnificat, Wq.215: I. 01 Tutti »Magnificat anima mea Dominum« | Michael Alexander Willens, Kölner Akademie, Hanna Herfurtner, Elvira Bill, Georg Poplutz, Matthias Vieweg, Kolner Akademie Choir | F♯ Major | 1 | 2B | 172 BPM |
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