"Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa" by Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart, Helmuth Rilling was released on September 28, 2009. The duration of Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Les Plus Beaux Choeurs Sacrés" album is number 6 out of 22. Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa by Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart, Helmuth Rilling to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM | ||
Spatzenmesse in C-Dur, KV. 220 'Missa - Credo' | Chor, Solisten & Orchester von St. Augustin, Manfred Equiluz, Ingrid Hofer, Michael Gailit, Brigitta Karwautz, Wolfgang Bankl | C Major | 1 | 8B | 94 BPM | ||
Credo, RV 591: Et resurrexit | Antonio Vivaldi, Carlo Maria Giulini, Berliner Philharmoniker | D♭ Major | 0 | 3B | 81 BPM | ||
Ich elender Mensch (Chorus) | Johann Sebastian Bach, Marga Hoeffgen, Aldo Baldin, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Major | 1 | 9B | 134 BPM | ||
Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | ||
Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 2 | 10B | 79 BPM | ||
Missa brevis D-dur KV 194 (186h): VI. Agnus Dei | Wolfgang Amadeus Mozart, Kölner Kammerchor/Collegium Cartusianum/Peter Neumann, Peter Neumann | D Major | 2 | 10B | 83 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: IV. Allegro | Georg Philipp Telemann, Boris Begelman | D♭ Major | 4 | 3B | 124 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 9, Nun beut die Flur das frische Grün | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg | B♭ Major | 3 | 6B | 117 BPM | ||
Suscepit Israel puerum suum, BWV 1082 | Johann Sebastian Bach, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Minor | 2 | 9A | 112 BPM |
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