- BPM
- 79
- Key
- D Major
- Camelot
- 10B
Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I - Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich Information
- Acousticness
- 99%
- Danceability
- 10%
- Energy
- 18%
- Instrumentalness
- 89%
- Liveness
- 13%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 7%
- Loudness
- -19.232 dB
Summary
"Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I" by Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich was released on May 1, 1987. The duration of Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I is about 3 minutes long, at 3:15. Based on our data, "Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 15 in Dvorák: Mass in D Major, Op. 86 by Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I BPM
The tempo marking of Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I by Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | |
 | Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Kölner Kammerchor/Collegium Cartusianum/Peter Neumann, Christoph Prégardien, Diana Montague, Franz-Josef Selig, Kölner Kammerchor, Michael Chance, Peter Neumann, Collegium Cartusianum | D Major | 1 | 10B | 78 BPM | |
 | Bach, JS: Magnificat in D Major, BWV 243: I. Chorus. "Magnificat anima mea Dominum" | Johann Sebastian Bach, Nikolaus Harnoncourt, Vienna Boys' Choir, Chorus Viennensis, Concentus Musicus Wien | D♭ Major | 2 | 3B | 163 BPM | |
 | Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | |
 | Grande Messe des Morts: VI. Graduale: Fuga - Et lux perpetua | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 2 | 5A | 109 BPM | |
 | Herz und Mund und Tat und Leben (Chorus) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | C Major | 4 | 8B | 88 BPM | |
 | Credo, RV 591: 1. Credo in unum Deum | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | |
 | Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | |
 | Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | |
 | Mass in D Major, Op. 86 / Credo: IIIb. Et incarnatus est | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM |
- ISRC
- DEB118700201
- Label
- L-M Records/RCA Records
Section: 0.8760986328125
End: 0.884432315826416