"Stabat Mater: Stabat Mater dolorosa" by Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen was released on September 28, 2009. With Stabat Mater: Stabat Mater dolorosa being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Sixteen, Harry Christophers's "Handel: Dixit Dominus - Steffani: Stabat Mater" album is number 1 out of 21. Stabat Mater: Stabat Mater dolorosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater: Stabat Mater dolorosa by Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Iam Christus astra ascenderat: Benedictus | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | A♭ Major | 3 | 4B | 132 BPM | ||
Lamentations of Jeremiah I - Ed. Philip Brett | Thomas Tallis, Choir of King's College, Cambridge, Stephen Cleobury | D Minor | 1 | 7A | 77 BPM | ||
Halt, was du hast | Johann Michael Bach, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 88 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 1. Dies irae | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | D Major | 1 | 10B | 142 BPM | ||
Woefully Array'd | William Cornysh, Rob Macdonald, Harry Christophers | C Minor | 1 | 5A | 93 BPM | ||
Missa Dei Filii, ZWV 20: Kyrie eleison (Coro) | Jan Dismas Zelenka, Frieder Bernius | A♭ Major | 0 | 4B | 83 BPM | ||
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
Te Deum "de Lyon": III. Te gloriosus apostolorum chorus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
"If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM | ||
Great King of Gods | Orlando Gibbons, The Sixteen, Harry Christophers | D Major | 1 | 10B | 81 BPM |
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