"Mozart: Ave verum corpus, K. 618" by Wolfgang Amadeus Mozart, Kölner Kammerchor/Collegium Cartusianum/Peter Neumann, Christoph Prégardien, Diana Montague, Franz-Josef Selig, Kölner Kammerchor, Michael Chance, Peter Neumann, Collegium Cartusianum was released on March 14, 2011. The duration of Mozart: Ave verum corpus, K. 618 is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Mozart: Ave verum corpus, K. 618's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Peter Neumann's "Mozart: Requiem / Ave verum corpus / Maurerische Trauermusik" album is number 15 out of 16. On top of that, Germany appears to be the country where this track was created. Mozart: Ave verum corpus, K. 618 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Ave verum corpus, K. 618 by Wolfgang Amadeus Mozart, Kölner Kammerchor/Collegium Cartusianum/Peter Neumann, Christoph Prégardien, Diana Montague, Franz-Josef Selig, Kölner Kammerchor, Michael Chance, Peter Neumann, Collegium Cartusianum to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria: Domine Fili unigenite | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E Major | 2 | 12B | 79 BPM | ||
Rutter: Requiem: Pie Jesu | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, Edward Saklatvala, City of London Sinfonia | F Major | 0 | 7B | 77 BPM | ||
Monteverdi : Beatus vir | Claudio Monteverdi, Edward Higginbottom, Capricorn, Choir of New College, Oxford | C Major | 1 | 8B | 106 BPM | ||
Pergolesi: Stabat Mater: IX. Sancta Mater, istud agas | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 136 BPM | ||
Stabat mater: Ave verum corpus | Karl Jenkins, Polyphony, Stephen Layton | B Major | 1 | 1B | 128 BPM | ||
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
Fauré: Requiem in D Minor, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 72 BPM | ||
Handel: Messiah, HWV 56, Pt. 1, Scene 1: Chorus. "And the Glory, the Glory of the Lord" | George Frideric Handel, Concentus Musicus Wien, Nikolaus Harnoncourt, Stockholm Chamber Choir | B♭ Major | 0 | 6B | 120 BPM | ||
Mass No. 1 in D Minor, WAB 26: Benedictus | Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, Eike Wilm Schulte, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | ||
Requiem In D Minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann): Requiem (Introitus) - Live | Wolfgang Amadeus Mozart, Marie McLaughlin, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | G Minor | 2 | 6A | 67 BPM |
Section: 0.8961296081542969
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