"Handel: Messiah, HWV 56, Pt. 1, Scene 1: Chorus. "And the Glory, the Glory of the Lord"" by George Frideric Handel, Concentus Musicus Wien, Nikolaus Harnoncourt, Stockholm Chamber Choir was released on 1976. The duration of Handel: Messiah, HWV 56, Pt. 1, Scene 1: Chorus. "And the Glory, the Glory of the Lord" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Handel: Messiah, HWV 56, Pt. 1, Scene 1: Chorus. "And the Glory, the Glory of the Lord"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Nikolaus Harnoncourt, Anders Öhrwall, Eric Ericson, Erwin Ortner, Walter Hagen-Groll, Concentus Musicus Wien's "Hallelujah! - Famous Handel Choruses" album is number 6 out of 20. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Handel: Messiah, HWV 56, Pt. 1, Scene 1: Chorus. "And the Glory, the Glory of the Lord"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Messiah, HWV 56, Pt. 1, Scene 1: Chorus. "And the Glory, the Glory of the Lord" by George Frideric Handel, Concentus Musicus Wien, Nikolaus Harnoncourt, Stockholm Chamber Choir to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Blanziflor et Helena: "Ave formosissima" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | E Minor | 3 | 9A | 101 BPM | ||
Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe | Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus Wien | B Major | 1 | 1B | 86 BPM | ||
Requiem in D Minor, Op. 48: Libera me | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | B♭ Major | 1 | 6B | 175 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 23, Aria. "Gerne will ich mich bequemen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Oliver Widmer, Concentus Musicus Wien | A♭ Major | 0 | 4B | 112 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
_: Palestrina: Kyrie [Missa Papae Marcelli] | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | D Minor | 3 | 7A | 78 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Grand Overture in D major, Op. 18, No. 6, W. XC1: III. Allegretto | Johann Christian Bach, Akademie für Alte Musik Berlin | E Major | 0 | 12B | 146 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM |
Section: 0.6400132179260254
End: 0.6456482410430908