Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti's 'Carmina Burana / Blanziflor et Helena: "Ave formosissima"' came out on January 1, 1975. The duration of Carmina Burana / Blanziflor et Helena: "Ave formosissima" is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Carmina Burana / Blanziflor et Helena: "Ave formosissima"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #24. In terms of popularity, Carmina Burana / Blanziflor et Helena: "Ave formosissima" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / Blanziflor et Helena: "Ave formosissima" by Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 1, Introduction - Gliding Dance of the Maidens | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 0 | 11B | 77 BPM | ||
Ladies in Lavender | Nigel Hess, Joshua Bell, Royal Philharmonic Orchestra | D Major | 2 | 10B | 84 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Carmen, Act IV, No.26 Marche et Choeur: Les voici! Voici le quadrille! (Choeurs/Enfants) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | D♭ Minor | 2 | 12A | 93 BPM | ||
Go The Distance - From "Hercules" | Royal Philharmonic Orchestra | D Major | 2 | 10B | 85 BPM | ||
Doves and the Boy - from 'Castle in the Sky' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 1 | 8B | 102 BPM | ||
St. Matthew Passion, BWV 244 - Rev. Elgar, Atkins / Pt. Two: Chorus: "O Sacred Head Surrounded" | Johann Sebastian Bach, The Bach Choir, Thames Chamber Orchestra, Sir David Willcocks | F Major | 1 | 7B | 104 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM |
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