Richard Barthelemy, Enrico Caruso's 'Adorables tourments (Valse lente)' came out on 1990. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Adorables tourments (Valse lente) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adorables tourments (Valse lente) by Richard Barthelemy, Enrico Caruso is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A Major | 2 | 11B | 76 BPM | ||
El Rey Que Rabió: "¡Gran Dios!" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Agustin S. Luque, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | E♭ Major | 7 | 5B | 73 BPM | ||
Donizetti: Roberto Devereux: Nunzio son del Parlamento!... | Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli | D Major | 2 | 10B | 175 BPM | ||
La Tempestad, Acto I: Estrella de los Mares (Introducción y Coro) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Gregorio Gil, Coro Cantores de Madrid, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | A♭ Major | 3 | 4B | 79 BPM | ||
Bellini: Norma: "Meco all'altar di Venere" - "Me protegge, me difende" (Pollione, Flavio, Druidi) | Vincenzo Bellini, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Julien Henric, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Dona Francisquita - Mujer Fatal | Miguel Fleta | E♭ Major | 1 | 5B | 79 BPM | ||
Faust, CG 4 / Act I: "Mais ce Dieu" | Charles Gounod, Rolando Villazón, Orchestre Métropolitain, Yannick Nézet-Séguin | C Major | 3 | 8B | 64 BPM | ||
Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Sulla tomba che rinserra il tradito genitore" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM |
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