Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Agustin S. Luque, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica made "El Rey Que Rabió: "¡Gran Dios!" - Remastered" available on May 15, 2006. With El Rey Que Rabió: "¡Gran Dios!" - Remastered being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Various Artists, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica's "La Zarzuela: El Rey Que Rabió" album is number 15 out of 20. On top of that, Spain appears to be the country where this track was created. El Rey Que Rabió: "¡Gran Dios!" - Remastered is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of El Rey Que Rabió: "¡Gran Dios!" - Remastered by Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Agustin S. Luque, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Leoncavallo: La bohème: "Musette svaria sulla bocca viva" | Ruggero Leoncavallo, Ermonela Jaho, Andrea Battistoni, Orquestra de la Comunitat Valenciana | G Major | 0 | 9B | 82 BPM | ||
Heut' Nacht hab' ich geträumt von dir | Emmerich Kálmán, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | E♭ Major | 2 | 5B | 80 BPM | ||
Carmen Suite No. 1: Entr'acte (Act III) | Georges Bizet, Willem van Otterloo, Residentie Orkest | E♭ Major | 4 | 5B | 98 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
El Rey Que Rabió: "¡Gran Dios!" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Agustin S. Luque, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | E♭ Major | 7 | 5B | 73 BPM | ||
Golondrina de Madrid: "Sopló Furioso el Viento de Mi Destino" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Seguito dell' Introduzione: Ehi, Fiorello | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | D Major | 2 | 10B | 139 BPM | ||
Cecilia: Padre! Ho pregato | Licinio Refice, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F Minor | 1 | 4A | 106 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "Le ciel est noir, il va pleuvoir" - Quatuor. "Métella !" - Dialogue. "Gardefeu !" (Bobinet, Gontran, Gardefeu, Métella, Chœur) | Jacques Offenbach, Michel Plasson, Choeur Du Capitole De Toulouse, Henri Amiel, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | A♭ Major | 3 | 4B | 111 BPM |
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