Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón made "Golondrina de Madrid: "Sopló Furioso el Viento de Mi Destino"" available on December 2, 2013. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zarzuelas: Golondrina de Madrid y Manuelita Rosas by Orquesta del Teatro Calderón. The song's track number on the album is #5 out of 16 tracks. Based on our data, Spain was the country where this track was produced or recorded. In terms of popularity, Golondrina de Madrid: "Sopló Furioso el Viento de Mi Destino" is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Golondrina de Madrid: "Sopló Furioso el Viento de Mi Destino" by Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Golondrina de Madrid: "Sopló Furioso el Viento de Mi Destino" being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Entführung aus dem Serail, K. 384, Act I: Wer ein Liebchen hat gefunden - Verwünscht seist du samt deinem Liede! - Remastered 2024 | Wolfgang Amadeus Mozart, Endre Koreh, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
The Gondoliers / Act 1: 5. Buon' giorno, signorine! | Arthur Sullivan, Meston Reid, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Minor | 1 | 6A | 84 BPM | ||
Il corsaro: Ah sì, ben dite - Tutto parea sorridere - Pronti siate a seguitarmi | Giuseppe Verdi, Michael Fabiano, London Voices, London Philharmonic Orchestra, Enrique Mazzola | A♭ Major | 2 | 4B | 78 BPM | ||
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Dieux qui me poursuivez" (Oreste) | Christoph Willibald Gluck, Georges Prêtre, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Los Claveles: Dúo de Rosa y Fernando II - Los Claveles | Jose Serrano, Lily Berchman, Jose Picaso, Daniel Montorio, Enrique Navarro | E Major | 3 | 12B | 85 BPM | ||
Kitkat katkat | Axel Tornudd, Stockholms Studentsångare, Einar Ralf | G Major | 3 | 9B | 182 BPM | ||
Audi Deus (salmo 60) | Orfeón de Miravalles | B♭ Major | 4 | 6B | 203 BPM | ||
B'rich Sh'mei | Nissim Saal | D Minor | 2 | 7A | 87 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM |
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