"Requiem, Op. 63: Ib. Te decet hymnus –" by Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins was released on May 5, 2023. With Requiem, Op. 63: Ib. Te decet hymnus – being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Stanford: Requiem". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Requiem, Op. 63: Ib. Te decet hymnus – is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem, Op. 63: Ib. Te decet hymnus – by Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly: Act I: Ancora un passo or via | Giacomo Puccini, Erich Leinsdorf | B Minor | 2 | 10A | 78 BPM | ||
Requiem, Op. 63: IVf. Rex tremendae maiestatis – | Charles Villiers Stanford, James Way, Ross Ramgobin, Carolyn Sampson, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 2 | 9A | 88 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Minor | 1 | 6A | 98 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
Bist du bei mir (Formerly Attrib. Bach as BWV 508)[Voice & Harpsichord] | Gottfried Heinrich Stölzel, Mahan Esfahani, Carolyn Sampson | D Major | 0 | 10B | 140 BPM | ||
Requiem, Op. 63: IVd. Quid sum miser? | Charles Villiers Stanford, Marta Fontanals-Simmons, City Of Birmingham Symphony Orchestra, University of Birmingham Voices, Martyn Brabbins | D Major | 1 | 10B | 74 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Alles mit Gott und nichts ohn' ihn, BWV 1127: Verse 1: Alles mit Gott und nichts ohn' ihn wird einher Wundersegen ziehn | Johann Sebastian Bach, Carolyn Sampson, Bach Collegium Japan, Masaaki Suzuki | B Major | 0 | 1B | 115 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then the handsome Pau-Puk-Keewis | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | C Minor | 2 | 5A | 65 BPM |
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