"Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?"" by Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke was released on October 21, 2012. Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The song is number 5 out of 14 in Dubois: Les 7 paroles du Christ & 6 motets by Théodore Dubois, Various Artists, Bernard Lallement, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" by Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: E desso, o pur m'inganno | Gioachino Rossini, Ugo Benelli, Manuel Ausensi, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 80 BPM | ||
Lohengrin, WWV 75 / Act II: "Euch Lüften, die mein Klagen" | Richard Wagner, Cheryl Studer, Waltraud Meier, Hartmut Welker, Wiener Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 49 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Les Contes d'Hoffmann / Act 2: "C'est moi, Coppélius" | Jacques Offenbach, Gabriel Bacquier, Claudia Eder, Plácido Domingo, Orchestre National De France, Seiji Ozawa | A♭ Major | 0 | 4B | 202 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Major | 0 | 8B | 139 BPM | ||
Prologue to Mefistofele: II. Instrumental Scherzo and Dramatic Intermezzo | Arrigo Boïto, Atlanta Symphony Orchestra, Robert Shaw, John Cheek | F Major | 1 | 7B | 80 BPM | ||
Missa Gallica: Benedictus | Bernard Lallement, Chorale franco-allemande de Paris | A Minor | 3 | 8A | 113 BPM | ||
Chansons de Marjolie: No. 7, En paradis | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM |
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