Georges Bizet, Willem van Otterloo, Residentie Orkest made "Carmen Suite No. 1: Entr'acte (Act III)" available on January 1, 1988. The duration of Carmen Suite No. 1: Entr'acte (Act III) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Carmen Suite No. 1: Entr'acte (Act III)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 9 in Donna Diana - Beliebte Ouvertüren by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Carmen Suite No. 1: Entr'acte (Act III) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Carmen Suite No. 1: Entr'acte (Act III) by Georges Bizet, Willem van Otterloo, Residentie Orkest is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Helden-Gedichte, Op. 87: Heldengedichte, Walzer, Op. 87 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Manfred Müssauer | E♭ Major | 1 | 5B | 96 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne): Andante | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | C Major | 1 | 8B | 103 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): III. Im Volkston | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
Final Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 6 | 9B | 184 BPM | ||
Symphony No. 3 in F Major: II. Lento | George Lloyd, BBC Philharmonic | D Major | 1 | 10B | 73 BPM | ||
Le prophete (The Prophet): Overture: Act III: Ballet des Patineurs: Waltz | Giacomo Meyerbeer, Barcelona Symphony and Catalonia National Orchestra, Michal Nesterowicz | D Major | 1 | 10B | 167 BPM | ||
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM |
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