Charles Gounod, Rolando Villazón, Orchestre Métropolitain, Yannick Nézet-Séguin's 'Faust, CG 4 / Act I: "Mais ce Dieu"' came out on September 22, 2017. With Faust, CG 4 / Act I: "Mais ce Dieu" being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 14 in Duets by Rolando Villazón, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin. Faust, CG 4 / Act I: "Mais ce Dieu" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Faust, CG 4 / Act I: "Mais ce Dieu" by Charles Gounod, Rolando Villazón, Orchestre Métropolitain, Yannick Nézet-Séguin is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "A voi tutti salute" | Pietro Mascagni, Luciano Pavarotti, Piero Cappuccilli, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | B Major | 1 | 1B | 69 BPM | ||
Puccini: La bohème, Act 4: "C'è Mimì...c'e Mimì che mi seque" (Musetta/Rodolfo/Schaunard/Mimì/Marcello) | Giacomo Puccini, Anna Moffo, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 71 BPM | ||
Mefistofele / Act 1: Dai campi, dai prati | Arrigo Boito, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | F Major | 2 | 7B | 86 BPM | ||
Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Puccini: Madama Butterfly, Act 1: "Ah! Ah! quanto cielo!...Ancora un passo or via" (Butterfly, Sharpless, Chorus) | Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Mario Borriello, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 3 | 2B | 77 BPM | ||
Così fan tutte, K. 588 / Act II: "E amore un ladroncello" | Wolfgang Amadeus Mozart, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 125 BPM | ||
Mefistofele / Epilogue: Giunto sul passo estremo | Arrigo Boito, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | A♭ Major | 2 | 4B | 73 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
I Puritani / Act 1: Ah! per sempre io ti perdei | Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge | G Major | 2 | 9B | 74 BPM |
Section: 0.8267202377319336
End: 0.8309330940246582