"Vielle prière bouddhique (Prière quotidienne pour tout l'Univers) For Tenor, Chorus And Orchestra" by Lili Boulanger, Julian Podger, The Monteverdi Choir, London Symphony Orchestra, John Eliot Gardiner was released on January 1, 2002. Since Vielle prière bouddhique (Prière quotidienne pour tout l'Univers) For Tenor, Chorus And Orchestra is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Stravinsky: Symphony of Psalms / Boulanger, L.: Psalms". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Vielle prière bouddhique (Prière quotidienne pour tout l'Univers) For Tenor, Chorus And Orchestra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vielle prière bouddhique (Prière quotidienne pour tout l'Univers) For Tenor, Chorus And Orchestra by Lili Boulanger, Julian Podger, The Monteverdi Choir, London Symphony Orchestra, John Eliot Gardiner having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Je te veux | Erik Satie, Patricia Petibon, Susan Manoff, Christian-Pierre La Marca | C Major | 1 | 8B | 76 BPM | ||
Stabat Mater: Stabat Mater: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | ||
Ein deutsches Requiem, Op. 45: Ziemlich langsam - Selig sind, die da Leid tragen - 1997 Digital Remaster | Johannes Brahms, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, The Philharmonia Chorus, Philharmonia Orchestra, Ralph Downes, Reinhold Schmid, Otto Klemperer | F Major | 1 | 7B | 60 BPM | ||
Asyla, Op. 17: III. Ecstasio | Thomas Adès, London Symphony Orchestra | G Major | 3 | 9B | 130 BPM | ||
Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 3 | 10B | 75 BPM | ||
Mass in B Minor, BWV 232: Crucifixus (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Minor | 1 | 2A | 107 BPM | ||
4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 92 BPM | ||
Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | ||
Candide: Overture | Leonard Bernstein, Marin Alsop, London Symphony Orchestra | E♭ Major | 2 | 5B | 142 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM |
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