Giacomo Puccini, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata's 'Puccini: Tosca, Act 2 Scene 5: "Salvatelo! … Io? Voi!" (Tosca, Scarpia)' came out on 1953. The duration of Puccini: Tosca, Act 2 Scene 5: "Salvatelo! … Io? Voi!" (Tosca, Scarpia) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Puccini: Tosca, Act 2 Scene 5: "Salvatelo! … Io? Voi!" (Tosca, Scarpia)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Puccini : Tosca". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Puccini: Tosca, Act 2 Scene 5: "Salvatelo! … Io? Voi!" (Tosca, Scarpia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 2 Scene 5: "Salvatelo! … Io? Voi!" (Tosca, Scarpia) by Giacomo Puccini, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) | Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 2 | 5B | 90 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 2: Ah! del Tebro al giogo indegno (Oroveso/Chorus) | Vincenzo Bellini, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 83 BPM | ||
Carmen (1997 - Remaster), Act II: Enfin c'est toi!...Tout doux, Monsieur | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F Major | 1 | 7B | 83 BPM | ||
Madame Butterfly - Grosser Querschnitt: Eines Tages seh'n wir uns wieder | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | B Minor | 7 | 10A | 112 BPM | ||
Tosca / Act 1: "E buona la mia Tosca" - "Siam soli?" | Giacomo Puccini, Luciano Pavarotti, Richard van Allan, National Philharmonic Orchestra, Nicola Rescigno | E♭ Major | 2 | 5B | 78 BPM | ||
Carmen (1997 - Remaster), Act III: Trio des Cartes: Mêlons! Coupons! | Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F Major | 1 | 7B | 125 BPM | ||
Cherubini: Medea, Act 2: "Medea, o Medea!" (Neris) | Luigi Cherubini, Miriam Pirazzini, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Minor | 1 | 5A | 85 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Turandot / Act 2: O China, che or sussulti (Ping, Pong, Pang) | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 117 BPM |
Section: 0.5517628192901611
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