"Carmen (1997 - Remaster), Act III: Trio des Cartes: Mêlons! Coupons!" by Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra was released on 1964. Since Carmen (1997 - Remaster), Act III: Trio des Cartes: Mêlons! Coupons! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. Based on our statistics, Carmen (1997 - Remaster), Act III: Trio des Cartes: Mêlons! Coupons!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen (1997 - Remaster), Act III: Trio des Cartes: Mêlons! Coupons! by Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Manon Lescaut, Act 2: "In quelle trine morbide" (Manon Lescaut) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D♭ Major | 1 | 3B | 88 BPM | ||
Puccini: Turandot, Act 1: "Signore, ascolta!" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
La Bohème (2003 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIÈME ACTE: Quando me'n vo | Maria Callas, Georges Prêtre, Orchestre National de la RTF | D♭ Major | 2 | 3B | 80 BPM | ||
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
La Rondine: Act II: Bevo al tuo fresco sorriso (Ruggero, Magda, Lisette, Prunier, Chorus) | Giacomo Puccini, Svetla Vassileva, Maya Dashuk, Fabio Sartori, Emanuele Giannino, Marzio Giossi, Fernando Luis Ciuffo, Giorgio Berrugi, Andrea Patucelli, Polina Volfson, Alessandra Meozzi, Annunziata Vestri, Puccini Festival Chorus, Puccini Festival Orchestra, Alberto Veronesi | E♭ Major | 6 | 5B | 84 BPM | ||
Nabucco / Act 2: Salgo già del trono aurato | Giuseppe Verdi, Ghena Dimitrova, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 4 | 8B | 81 BPM | ||
Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table | Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | G Minor | 1 | 6A | 85 BPM | ||
Aida: Act III: O cieli azzurri … O patria mia (Aida) | Giuseppe Verdi, Maria Callas, Mario del Monaco, Oralia Dominguez, Giuseppe Taddei, Roberto Silva, Ignacio Ruffino, Palacio de Bellas Artes Chorus, Palacio de Bellas Artes Orchestra, Oliviero de Fabritiis | F Major | 4 | 7B | 66 BPM | ||
Manon / Act 2: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM | ||
L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 94 BPM |
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