Giuseppe Tartini, La Serenissima, Adrian Chandler made "Violin Sonata in G Minor, B.g5 / GT 2.g05 "Il trillo del Diavolo": II. Allegro" available on March 22, 2024. Violin Sonata in G Minor, B.g5 / GT 2.g05 "Il trillo del Diavolo": II. Allegro is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. There is only one song in 'Diavolo': Giuseppe Tartini - 6 Violin Sonatas, so we believe that "Violin Sonata in G Minor, B.g5 / GT 2.g05 "Il trillo del Diavolo": II. Allegro" is a single. In terms of popularity, Violin Sonata in G Minor, B.g5 / GT 2.g05 "Il trillo del Diavolo": II. Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Violin Sonata in G Minor, B.g5 / GT 2.g05 "Il trillo del Diavolo": II. Allegro by Giuseppe Tartini, La Serenissima, Adrian Chandler is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berlin Baroque Compagney | E Major | 0 | 12B | 116 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 126 BPM | ||
Schwanengesang, D. 957: No. 4, Ständchen (Transcr. for Cello and Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Minor | 0 | 7A | 72 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Cello Sonata No. 2, Op. 58/MWV Q 32: III. Adagio | Felix Mendelssohn, Sol Gabetta, Bertrand Chamayou | G Major | 2 | 9B | 84 BPM | ||
Bach, CPE: Flute Concerto in D Minor, Wq. 22: II. Un poco andante | Carl Philipp Emanuel Bach, Konrad Hünteler, Amsterdam Baroque Orchestra, Ton Koopman | F♯ Major | 1 | 2B | 133 BPM | ||
La Belle et la Bête - Arr. for Piano duet: VI. La confiance de la Bête | Philip Glass, Katia Labèque, Marielle Labèque | F Major | 0 | 7B | 107 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
6 Violin Sonatas: Sonata No. 1 in D Minor: VI. Aria | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Justin Taylor | C Minor | 3 | 5A | 76 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | E Minor | 1 | 9A | 119 BPM |
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