"Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio" by Giuseppe Torelli, Berlin Baroque Compagney was released on January 1, 1995. With Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 29 in Baroque Music - Corelli, A. / Ariosti, A. / Torelli, G. / Bononcini, G. (Music From Charlottenburg Castle) by Ann Monoyios. In terms of popularity, Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio by Giuseppe Torelli, Berlin Baroque Compagney is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM | ||
Recorder Concerto in F Major: 2. Siciliano | Giuseppe Sammartini, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | A♭ Minor | 1 | 1A | 105 BPM | ||
Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro | Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin Root | D Major | 2 | 10B | 103 BPM | ||
Concerto for Viola d'amore, Lute, Strings and Basso Continuo in D Minor, RV 540: I. Allegro | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | D♭ Minor | 1 | 12A | 79 BPM | ||
Concerto for Violin, Op. 8 No. 8: I. Vivace | Giuseppe Torelli, Simon Standage, Collegium Musicum 90 | B Minor | 0 | 10A | 89 BPM |
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