Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl made "Partie 5 en ut majeur: Aria" available on November 15, 1994. The duration of Partie 5 en ut majeur: Aria is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Partie 5 en ut majeur: Aria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Pachelbel : Musicalische Ergotzung pour 2 violons & basse continue". In this album, this song's track order is #31. In terms of popularity, Partie 5 en ut majeur: Aria is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Partie 5 en ut majeur: Aria by Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto, D-Major, For Strings And Organ, RV 124: II. Grave | Musici di San Marco, Alberto Lizzio | B♭ Minor | 0 | 3A | 143 BPM | ||
Sonata for 2 violins and basso continuo in A, Op. 8 No. 7: II. Fuga | Pietro Locatelli, Igor Ruhadze, Ensemble Violini Capricciosi, Daria Gorban, Mark Dupere, Nika Zlataric, Vaughan Schlepp & Masato Suzuki | A♭ Major | 3 | 4B | 128 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Musicalische Ergötzung: Partie I in F-dur | Johann Pachelbel, Charles Medlam, London Baroque | E Major | 2 | 12B | 103 BPM | ||
Concerto Op. 3 No. 12 in E Major for solo violin: II. Largo | Antonio Vivaldi, Tafelmusik Baroque Orchestra, Jeanne Lamon, Elizabeth Wallfish | E♭ Major | 1 | 5B | 58 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Sonata I in B Minor, HWV 386, Op. 2 No. 1: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
The Fairy Queen, Z. 629: Rondeau | Henry Purcell, Les Nouveaux Caractères, Sébastien d'Hérin | A Major | 1 | 11B | 124 BPM | ||
Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM |
Section: 0.5716485977172852
End: 0.5770814418792725