Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado's 'Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro' came out on 1997. Since Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Emmanuel Pahud's "Mozart: Flute Concertos" album is number 1 out of 9. Based on our statistics, Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro by Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto in A Major, K. 622: III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Alfred Prinz, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 140 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Concerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderato | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 133 BPM | ||
Milhaud: Sonatine for Flute and Piano, Op. 76: II. Souple | Darius Milhaud, Emmanuel Pahud, Eric Le Sage | F Minor | 0 | 4A | 62 BPM | ||
Trout Quintet: Scherzo | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Bassoon Concerto in B-Flat Major, K. 191: II. Andante ma adagio - Cadenza: Dietmar Zeman | Wolfgang Amadeus Mozart, Dietmar Zeman, Wiener Philharmoniker, Karl Böhm | F Major | 0 | 7B | 67 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Vivaldi: L'estro armonico, Concerto for Two Violins in G Minor, Op. 3 No. 2, RV 578: I. Adagio e spiccato | Antonio Vivaldi, Nigel Kennedy, Berliner Philharmoniker, Daniel Stabrawa | D Major | 0 | 10B | 175 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: I. Overture. Largo - Allegro | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 2 | 12B | 138 BPM |
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