"Core'ngrato - Catarí" by Salvatore Cardillo, Orquesta Sinfónica Chamartín, César Belda was released on September 25, 2018. The duration of Core'ngrato - Catarí is about 3 minutes long, at 3:05. Based on our data, "Core'ngrato - Catarí" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Varios Compositores: Disco XXV Aniversario (Vol.2) by Orquesta Sinfónica Chamartín, César Belda. The song's track number on the album is #7 out of 14 tracks. The popularity of Core'ngrato - Catarí is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Core'ngrato - Catarí by Salvatore Cardillo, Orquesta Sinfónica Chamartín, César Belda has a tempo of 163 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Core'ngrato - Catarí being at 163 BPM, the half-time would be 82 BPM with a double-time of 326 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Manuel Ausensi, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 3 | 8B | 113 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise | D Major | 1 | 10B | 132 BPM | ||
Andrea Chénier / Act 4: Come un bel dì di maggio | Umberto Giordano, Roberto Alagna, Sir Mark Elder, Orchestra of the Royal Opera House, Covent Garden | F♯ Minor | 2 | 11A | 83 BPM | ||
Malinconia, ninfa gentile | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | E Major | 2 | 12B | 94 BPM | ||
Pagliacci / Prologue: Prelude..."Si può? Signore! Signori!" | Ruggero Leoncavallo, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 79 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
L'arlesiana / Act 2: È la solita storia (Lamento di Federico) | Francesco Cilea, José Carreras, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | A Minor | 2 | 8A | 79 BPM | ||
Manon Lescaut: "Donna non vidi mai" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | B♭ Major | 2 | 6B | 83 BPM | ||
Júrame | Maria Grever, Juan Diego Flórez, Daniel Binelli, Fort Worth Symphony Orchestra, Miguel Harth-Bedoya | E Major | 4 | 12B | 71 BPM |
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