Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato's 'Malinconia, ninfa gentile' came out on October 2, 2015. With Malinconia, ninfa gentile being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Treasures Of Bel Canto". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Malinconia, ninfa gentile is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Malinconia, ninfa gentile by Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula / Act 1: Prendi: l'anel ti dono | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | A♭ Major | 1 | 4B | 74 BPM | ||
Bachianas brasileiras No. 5: Ária (Cantilena) | Heitor Villa-Lobos, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | A Minor | 2 | 8A | 119 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Plácido Domingo, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | B Minor | 4 | 10A | 84 BPM | ||
L'Abbandono | Vincenzo Bellini, Cecilia Bartoli, James Levine | C Minor | 1 | 5A | 70 BPM | ||
Bizet: Carmen, WD 31, Act 1: "Attention! Chut! Attention! Taisons-nous!" (Moralès, Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 117 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Cruda, funesta smania" (Enrico, Normanno, Raimondo) | Gaetano Donizetti, Tito Gobbi, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | F Major | 1 | 7B | 166 BPM | ||
Malinconia, ninfa gentile | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | E Major | 2 | 12B | 94 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM |
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