"Armide: Act II, Scene 4: Prélude. Chœur : "Ah ! Quelle erreur !"" by Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe was released on 1993. With Armide: Act II, Scene 4: Prélude. Chœur : "Ah ! Quelle erreur !" being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 19 out of 39. In terms of popularity, Armide: Act II, Scene 4: Prélude. Chœur : "Ah ! Quelle erreur !" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Armide: Act II, Scene 4: Prélude. Chœur : "Ah ! Quelle erreur !" by Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Intermedes de Xerxes: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 98 BPM | ||
Atys, Acte IV, Scène 4: "Qu'il sait peu son malheur" (Atys) | Jean-Baptiste Lully, Guy De Mey, Agnes Mellon, Les Arts Florissants, William Christie | B Minor | 1 | 10A | 104 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM |
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