"Atys, Acte IV, Scène 4: "Qu'il sait peu son malheur" (Atys)" by Jean-Baptiste Lully, Guy De Mey, Agnes Mellon, Les Arts Florissants, William Christie was released on February 28, 1987. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 4 out of 74. On top of that, France appears to be the country where this track was created. In terms of popularity, Atys, Acte IV, Scène 4: "Qu'il sait peu son malheur" (Atys) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Atys, Acte IV, Scène 4: "Qu'il sait peu son malheur" (Atys) by Jean-Baptiste Lully, Guy De Mey, Agnes Mellon, Les Arts Florissants, William Christie to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Acis & Galatée: Ouverture (Prologue) | Jean-Baptiste Lully, Les Musiciens du Louvre, Marc Minkowski | C Minor | 1 | 5A | 128 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Brandenburg Concerto No. 5 In D Major, BWV 1050: 1. Allegro | Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 99 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau | Marc-Antoine Charpentier, Les Musiciens du Louvre, Marc Minkowski | C Major | 6 | 8B | 95 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Monteverdi: Madrigals, Book 8: Ballo, SV 154b | Claudio Monteverdi, L'Arpeggiata, Christina Pluhar | A Minor | 1 | 8A | 127 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM |
Section: 1.1196508407592773
End: 1.1241512298583984