Claudio Monteverdi, L'Arpeggiata, Christina Pluhar's 'Monteverdi: Madrigals, Book 8: Ballo, SV 154b' came out on January 5, 2009. The duration of Monteverdi: Madrigals, Book 8: Ballo, SV 154b is about 3 minutes long, at 3:06. Based on our data, "Monteverdi: Madrigals, Book 8: Ballo, SV 154b" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 13 out of 16. Based on our statistics, Monteverdi: Madrigals, Book 8: Ballo, SV 154b's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: Madrigals, Book 8: Ballo, SV 154b by Claudio Monteverdi, L'Arpeggiata, Christina Pluhar to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Villanella, Terza parte, Alle nozze: II. Che fai tu | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Johannette Zomer, Pino de Vittorio, Hans-Jörg Mammel | G Minor | 1 | 6A | 111 BPM | ||
Six Brandenburg Concertos, No. 3 in G Major, BWV1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Rinaldo Alessandrini, Concerto Italiano | F♯ Major | 6 | 2B | 139 BPM | ||
Handel / Arr Pluhar: Piangerò la sorte mia (Aria di Cleopatra, from Giulio Cesare in Egitto HWV 17) | George Frideric Handel, Christina Pluhar, Núria Rial, L'Arpeggiata | D Major | 1 | 10B | 79 BPM | ||
Dolcissimi legami di parole amorose | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | D Minor | 1 | 7A | 79 BPM | ||
Invan lusinghi | Stefano Landi, L'Arpeggiata, Christina Pluhar | B♭ Major | 1 | 6B | 78 BPM | ||
Pederzuoli: Orfeo Chamán, Act 3: Sinfonia | Giovanni Battista Pederzuoli, Christina Pluhar, L'Arpeggiata | C Minor | 1 | 5A | 102 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Concerto in F Major, Seibel 234: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto secondo, Intermedio: Pass e Medio | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar | D Minor | 0 | 7A | 171 BPM |
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