"La Villanella, Terza parte, Alle nozze: II. Che fai tu" by Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Johannette Zomer, Pino de Vittorio, Hans-Jörg Mammel was released on 2000. The duration of La Villanella, Terza parte, Alle nozze: II. Che fai tu is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. La Villanella, Terza parte, Alle nozze: II. Che fai tu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Johannette Zomer, Pino de Vittorio's "Kapsberger: La Villanella" album is number 18 out of 22. In terms of popularity, La Villanella, Terza parte, Alle nozze: II. Che fai tu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Villanella, Terza parte, Alle nozze: II. Che fai tu by Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Johannette Zomer, Pino de Vittorio, Hans-Jörg Mammel to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cromatica corrente | Bellerofonte Castaldi, Bor Zuljan | A Minor | 2 | 8A | 137 BPM | ||
Gigue | Wolff Jakob Lauffensteiner, Bernhard Hofstötter | D♭ Major | 2 | 3B | 84 BPM | ||
Canaries | Thoinot Arbeau, Michael Praetorius, Capella De La Torre, Katharina Bauml | G Major | 2 | 9B | 90 BPM | ||
Baxa de Contrapunto | Luis de Narváez, Lutz Kirchhof | A Minor | 1 | 8A | 105 BPM | ||
The First Part of Ayres: Captaine Humes Pavan | Tobias Hume, John Dornenburg | F♯ Minor | 0 | 11A | 74 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Carolan's Welcome | Ronn McFarlane | A♭ Minor | 1 | 1A | 117 BPM | ||
Passamezzo Antiguo. Recercada 1ª | Diego Ortiz, La Reverencia | C Major | 1 | 8B | 107 BPM | ||
Saltarello | Joan Ambrosio Dalza, Ronn McFarlane, Mark Cudek | D♭ Major | 1 | 3B | 128 BPM | ||
Sonata No. 18 in G Minor, FbWV 618: IV. Gigue | Johann Jakob Froberger, Enrike Solinís | F♯ Minor | 1 | 11A | 76 BPM |
Section: 0.6435697078704834
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