"Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato" by Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris was released on January 22, 2016. Since Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Renaud Capuçon, Paavo Järvi, Orchestre de Paris's "Lalo: Symphonie espagnole - Bruch: Violin Concerto" album is number 7 out of 9. In terms of popularity, Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato by Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Bach, CPE: Flute Concerto in D Minor, Wq 22, H. 425: III. Allegro di molto | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | F Major | 3 | 7B | 84 BPM | ||
Legende, Op. 17 | Henryk Wieniawski, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | G Minor | 1 | 6A | 89 BPM | ||
Cello Concerto No. 1, Op. 33: Allegro non troppo | Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Truls Mørk | F Major | 1 | 7B | 75 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 91 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | E♭ Major | 0 | 5B | 136 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM |
Section: 0.799576997756958
End: 0.8049478530883789