Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack made "L'Orientale: L' Orientale, Polka mazur" available on April 14, 1999. With this song being about 5 minutes long, at 5:00, "L'Orientale: L' Orientale, Polka mazur" by Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Suppe: Marches / Waltzes / Polkas". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. The popularity of L'Orientale: L' Orientale, Polka mazur is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With L'Orientale: L' Orientale, Polka mazur by Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack having a BPM of 181 with a half-time of 90 BPM and a double-time of 362 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fatinitza: Act I: Preludio | Franz von Suppé, Stephanie Houtzeel, Steven Scheschareg, Bernhard Adler, Zora Antonic, Christian Bauer, Gerhard Balluch, Maha Marrawi, Rita Novikaite, Agnieszka Rehlis, Yu-Yu Wang, Erik Goller, Karl Herbst, Bad Ischl Lehar Festival Choir, Franz Lehar Orchestra, Vinzenz Praxmarer | B♭ Major | 1 | 6B | 94 BPM | ||
Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
Dronning Louise Vals (1868) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 105 BPM | ||
Otto Allins Tromme-Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 3 | 9B | 86 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
Die Walkure: Act III Scene 1: Walkurenritt: Hojotoho! Heiaha! (Gerhilde, Helmwige, Waltraute, Schwertleite, Ortlinde, Siegrune, Grimgerde, Rossweisse) | Richard Wagner, Endrik Wottrich, Kwangchul Youn, Albert Dohmen, Eva-Maria Westbroek, Linda Watson, Michelle Breedt, Sonja Muhleck, Anna Gabler, Martina Dike, Simone Schroder, Edith Haller, Wilke te Brummelstroete, Annette Kuttenbaum, Manuela Bress, Bayreuth Festival Orchestra, Christian Thielemann | E Minor | 3 | 9A | 91 BPM | ||
Holberg Suite, Op.40: 1. Präludium (Allegro vivace) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 142 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Kanon Galop (1853) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 4 | 12B | 150 BPM |
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