Hans Christian Lumbye, Tivoli Symphony Orchestra's 'Dronning Louise Vals (1868)' came out on December 10, 1997. With this song being about 5 minutes long, at 4:48, "Dronning Louise Vals (1868)" by Hans Christian Lumbye, Tivoli Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 1" album is number 2 out of 16. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Dronning Louise Vals (1868) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dronning Louise Vals (1868) by Hans Christian Lumbye, Tivoli Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppelia Ballet Suite: Slav Theme and Variations | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E Major | 0 | 12B | 125 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): V. Waltz - Scherzo/ Valse-plaisanterie | Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey | F♯ Major | 3 | 2B | 112 BPM | ||
Samlede Orkesterværker Vol. 3: Nytårshilsen, March (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A♭ Major | 6 | 4B | 146 BPM | ||
Act II: Coda (Minkus) | Mariinsky Orchestra | D Major | 7 | 10B | 91 BPM | ||
Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), Vorspiel: Zwischenspiel | Jacques Offenbach, Jules Barbier, Michel Carre, Pierre Barbier, Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra | B♭ Minor | 0 | 3A | 105 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Act III: March (Minkus) | Mariinsky Orchestra | G Major | 4 | 9B | 120 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
The Sleeping Beauty, Op. 66: Polonez | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | A Minor | 6 | 8A | 117 BPM | ||
Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM |
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