"Ballet Suite No. 1 (arr. L. Atovmyan): V. Waltz - Scherzo/ Valse-plaisanterie" by Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey was released on January 1, 2008. The duration of Ballet Suite No. 1 (arr. L. Atovmyan): V. Waltz - Scherzo/ Valse-plaisanterie is about 3 minutes long, at 3:13. Based on our data, "Ballet Suite No. 1 (arr. L. Atovmyan): V. Waltz - Scherzo/ Valse-plaisanterie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 16 in Borodin, A.P.: Symphony No. 2 / Khachaturian, A.I.: Gayne Ballet Suite by Bramwell Tovey. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Ballet Suite No. 1 (arr. L. Atovmyan): V. Waltz - Scherzo/ Valse-plaisanterie is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ballet Suite No. 1 (arr. L. Atovmyan): V. Waltz - Scherzo/ Valse-plaisanterie by Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 2 (arr. L. Atovmyan): Polka (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Oleg Tokathev, Dmitry Yablonsky, Russian Philharmonic Orchestra | C Major | 3 | 8B | 140 BPM | ||
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): V. Waltz - Scherzo/ Valse-plaisanterie | Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey | F♯ Major | 3 | 2B | 112 BPM | ||
Le Carnaval des Animaux, R.125: 10. Volières | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | F Major | 2 | 7B | 159 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | G Major | 4 | 9B | 168 BPM | ||
Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise | Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman | C Major | 1 | 8B | 113 BPM | ||
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 2 | 9B | 90 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E Minor | 3 | 9A | 82 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Scene | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 114 BPM | ||
バレエ組曲「シルヴィア」/ディヴェルティスマン;ピッツィカート | ウィーン・フォルクスオーパー管弦楽団/ジョセフ・レオ・グルーバー(指揮) | E♭ Major | 1 | 5B | 133 BPM |
Section: 0.653186559677124
End: 0.6570971012115479