Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman made "Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise" available on May 7, 1997. With this song being about 5 minutes long, at 4:58, "Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise" by Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Saint-Saens (The Best Of)". In this album, this song's track order is #1. In terms of popularity, Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise by Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Helsingborg Symphony Orchestra, Andrew Manze | C Major | 1 | 8B | 146 BPM | ||
Les Sylphides: 2. Nocturne, Op. 32, No. 2 | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 84 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Preliudai (Preludes): Dainele: Grave | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 80 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Samson et Dalila, Op. 47: Ah! Leve-toi, soleil! | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | B♭ Major | 4 | 6B | 96 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM |
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