Hans Christian Lumbye, Tivoli Symphony Orchestra made "Otto Allins Tromme-Polka (1864)" available on December 10, 1997. The duration of Otto Allins Tromme-Polka (1864) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Otto Allins Tromme-Polka (1864)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 1" album is number 15 out of 16. Otto Allins Tromme-Polka (1864) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Otto Allins Tromme-Polka (1864) by Hans Christian Lumbye, Tivoli Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Hochzeitstanz (Orchester) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | F Major | 3 | 7B | 105 BPM | ||
En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM | ||
London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM | ||
Fuglen | Simon Kvamm, Troels Gustavsen, Tivoli Symphony Orchestra | D Minor | 1 | 7A | 73 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Act II: Entree Of Kitri & Basil (Minkus) | Mariinsky Orchestra | G Major | 4 | 9B | 121 BPM | ||
Rackozy March from The Damnation of Faust, Op. 24 | Hector Berlioz, Louis Lane, The Cleveland Pops Orchestra | A Major | 4 | 11B | 108 BPM | ||
Fruhlings-Phantasie, Op. 23: II. Allegro molto e con fuoco | Niels Gade, Anne Margrethe Dahl, Kirsten Dolberg, Gert Henning-Jensen, Sten Byriel, Elisabeth Westenholz, Tivoli Symphony Orchestra, Michael Schønwandt | C Minor | 2 | 5A | 73 BPM | ||
Suite for Variety Orchestra: I. March | Dmitri Shostakovich, Tonkünstler-Orchester, Yutaka Sado | F Major | 4 | 7B | 126 BPM |
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