Franz von Suppé, Stephanie Houtzeel, Steven Scheschareg, Bernhard Adler, Zora Antonic, Christian Bauer, Gerhard Balluch, Maha Marrawi, Rita Novikaite, Agnieszka Rehlis, Yu-Yu Wang, Erik Goller, Karl Herbst, Bad Ischl Lehar Festival Choir, Franz Lehar Orchestra, Vinzenz Praxmarer's 'Fatinitza: Act I: Preludio' came out on January 1, 2007. With Fatinitza: Act I: Preludio being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 45 in the song's album "Suppe: Fatinitza". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Fatinitza: Act I: Preludio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fatinitza: Act I: Preludio by Franz von Suppé, Stephanie Houtzeel, Steven Scheschareg, Bernhard Adler, Zora Antonic, Christian Bauer, Gerhard Balluch, Maha Marrawi, Rita Novikaite, Agnieszka Rehlis, Yu-Yu Wang, Erik Goller, Karl Herbst, Bad Ischl Lehar Festival Choir, Franz Lehar Orchestra, Vinzenz Praxmarer having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Die Schlittschuhläufer, Op. 183 (The Ice Skater) | Émile Waldteufel | D Major | 1 | 10B | 96 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
Imperial Fanfare | Antonio Salieri, Vienna Art of Trumpet, Leonhard Leeb | F Minor | 2 | 4A | 80 BPM | ||
Requiem aeternam: Lacrymosa | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 0 | 7A | 177 BPM |
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