Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker's 'Mozart: Don Giovanni, K. 527, Act 1 Scene 1: No. 1, Introduzione, "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore)' had a release date set for 1991. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti's "Mozart: Don Giovanni" album is number 2 out of 70. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 1 Scene 1: No. 1, Introduzione, "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 1: No. 1, Introduzione, "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre / Erster Aufzug: Orchestervorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Minor | 3 | 7A | 113 BPM | ||
Don Carlo, Act II: O ciel!Tu!Rodrigo! (Carlo/Coro/Elisabetta/Filippo/Frati/Una voce dal cielo/Deputati) | Giuseppe Verdi, Samuel Ramey, Luciano Pavarotti, Paolo Coni, Daniella Dessì, Nuccia Focile, Coro Del Teatro Alla Scala Di Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | F Major | 4 | 7B | 89 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Nur stille, stille" - "Die Strahlen der Sonne" | Wolfgang Amadeus Mozart, Kurt Azesberger, Erika Miklósa, Caroline Stein, Heidi Zehnder, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner, Anne-Caroline Schlüter, René Pape | E♭ Major | 2 | 5B | 83 BPM | ||
Così fan tutte, K. 588 / Act I: "Dove son?" | Wolfgang Amadeus Mozart, Angela Brower, Alessandro Corbelli, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A Major | 1 | 11B | 107 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Fidelio, Op. 72 / Act I: "O wär ich schon mit dir vereint" | Ludwig van Beethoven, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | C Major | 1 | 8B | 134 BPM | ||
Così fan tutte, K. 588: Act 1: Finale, Atto Primo "Ah, Che Tutta In un Momento" - "Si Mora" | Wolfgang Amadeus Mozart, Concerto Köln, Graciela Oddone, Véronique Gens, Marcel Boone, René Jacobs, Bernarda Fink, Werner Güra, Pietro Spagnoli | D Major | 1 | 10B | 97 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Riconosci in questo amplesso" | Wolfgang Amadeus Mozart, Tatiana Troyanos, Ferruccio Furlanetto, Paul Plishka, Michael Forest, Thomas Hampson, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | E♭ Major | 2 | 5B | 124 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM |