"Fidelio, Op. 72 / Act I: "O wär ich schon mit dir vereint"" by Ludwig van Beethoven, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein had its release date on January 1, 1978. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 29 in Beethoven: Fidelio by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein. Based on our statistics, Fidelio, Op. 72 / Act I: "O wär ich schon mit dir vereint"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fidelio, Op. 72 / Act I: "O wär ich schon mit dir vereint" by Ludwig van Beethoven, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht - Live | Gustav Mahler, Thomas Hampson, Wiener Philharmoniker, Leonard Bernstein | G Minor | 0 | 6A | 72 BPM | ||
Lucia di Lammermoor / Act 1: "Ancor non giunse!" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 80 BPM | ||
Septet in E-Flat Major, Op. 20: II. Adagio cantabile | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | A♭ Major | 0 | 4B | 127 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM | ||
Carmen / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 128 BPM | ||
Ah Perfido!, Op. 65: "Ah, Perfido!" | Ludwig van Beethoven, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | B♭ Major | 1 | 6B | 95 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Fliegt heim, ihr Raben! | Richard Wagner, Birgit Nilsson, Gottlob Frick, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 95 BPM | ||
Pre-Performance Remarks: Don't Be Frightened, Mr. Gould Is Here | Spoken Word, Leonard Bernstein | B♭ Minor | 6 | 3A | 93 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
Irene, o L'Assedio di Messina / Act 2: "Ira del ciel" | Giovanni Pacini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A♭ Major | 4 | 4B | 107 BPM |