"Ah Perfido!, Op. 65: "Ah, Perfido!"" by Ludwig van Beethoven, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang was released on November 19, 2021. The duration of Ah Perfido!, Op. 65: "Ah, Perfido!" is about 3 minutes long, at 3:03. Based on our data, "Ah Perfido!, Op. 65: "Ah, Perfido!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Unreleased". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ah Perfido!, Op. 65: "Ah, Perfido!" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ah Perfido!, Op. 65: "Ah, Perfido!" by Ludwig van Beethoven, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Semiramide regina dell'Assiria: Come nave in ria tempesta | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D Major | 4 | 10B | 138 BPM | ||
Le nozze di Figaro, K. 492 / Act 2: "Porgi amor...Vieni, cara Susanna" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, Samuel Ramey, Frederica von Stade, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 1 | 6B | 83 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Des noirs pressentiments | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Dietrich Fischer-Dieskau | A Minor | 3 | 8A | 110 BPM | ||
Adriana Lecouvreur: Poveri fiori | Francesco Cilea, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D Minor | 2 | 7A | 76 BPM | ||
La Bohème: "Che gelida manina" | Giacomo Puccini, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 82 BPM | ||
La Bohème: Act I: Mi chiamano Mimì | Giacomo Puccini, Montserrat Caballé, Plácido Domingo, Sir Georg Solti, London Philharmonic Orchestra | D Major | 0 | 10B | 169 BPM | ||
Madama Butterfly, SC 74: Un bel dì vedremo | Giacomo Puccini, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D♭ Major | 2 | 3B | 64 BPM |
Section: 0.7132811546325684
End: 0.7187347412109375