Wolfgang Amadeus Mozart, Tatiana Troyanos, Ferruccio Furlanetto, Paul Plishka, Michael Forest, Thomas Hampson, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine's 'Le nozze di Figaro, K.492 / Act 3: "Riconosci in questo amplesso"' came out on January 1, 1980. With this song being about 5 minutes long, at 4:51, "Le nozze di Figaro, K.492 / Act 3: "Riconosci in questo amplesso"" by Wolfgang Amadeus Mozart, Tatiana Troyanos, Ferruccio Furlanetto, Paul Plishka, Michael Forest, Thomas Hampson, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, James Levine, Metropolitan Opera Orchestra's "Mozart : Les Noces de Figaro (extraits)" album is number 15 out of 20. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Le nozze di Figaro, K.492 / Act 3: "Riconosci in questo amplesso"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro, K.492 / Act 3: "Riconosci in questo amplesso" by Wolfgang Amadeus Mozart, Tatiana Troyanos, Ferruccio Furlanetto, Paul Plishka, Michael Forest, Thomas Hampson, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Stein der Weisen, Act II: Fort, armer Jüngling | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Sharon Baker, Paul Austin Kelly | E♭ Major | 1 | 5B | 106 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Ascanio in Alba, K. 111: Overture | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | A♭ Major | 1 | 4B | 150 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM |
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