Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Sharon Baker, Paul Austin Kelly's 'Der Stein der Weisen, Act II: Fort, armer Jüngling' came out on August 1, 1999. With Der Stein der Weisen, Act II: Fort, armer Jüngling being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman's "Mozart, Henneberg, Schack, Gerl & Schikaneder: Der Stein der Weisen" album is number 50 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, Der Stein der Weisen, Act II: Fort, armer Jüngling is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Der Stein der Weisen, Act II: Fort, armer Jüngling by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Sharon Baker, Paul Austin Kelly to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
String Quintet No. 3 in C Major, K. 515*: I. Allegro | Wolfgang Amadeus Mozart, János Fehérvári, Eder Quartet | C Major | 1 | 8B | 77 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau (Arr. J. Milone for Violin & Orchestra) | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | E Major | 2 | 12B | 75 BPM | ||
Prelude & Fughetta in G Major, BWV 902: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 3 | 10B | 101 BPM |
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