"Valses nobles et sentimentales, M.61: 7. Moins vif" by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 2000. The duration of Valses nobles et sentimentales, M.61: 7. Moins vif is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Valses nobles et sentimentales, M.61: 7. Moins vif's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Ravel: Alborada del Gracioso; La Valse; Rhapsodie Espagnole etc.". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. In terms of popularity, Valses nobles et sentimentales, M.61: 7. Moins vif is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valses nobles et sentimentales, M.61: 7. Moins vif by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5, "The Reformation", Op. 107: III. Andante | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | G Minor | 0 | 6A | 110 BPM | ||
Symphony No. 6 in D Minor, Op. 104: III. Poco vivace - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A♭ Major | 2 | 4B | 106 BPM | ||
String Quartet No. 13 in G Major, Op. 106, B. 192: I. Allegro moderato | Antonín Dvořák, Pavel Haas Quartet | F Major | 1 | 7B | 158 BPM | ||
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
Gymnopédie No. 2 for Orchestra | Erik Satie, Serge Koussevitzky, Boston Symphony Orchestra | G Major | 1 | 9B | 95 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | C Major | 0 | 8B | 101 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM |
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