Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti's 'The Sleeping Beauty, Op.66, TH.13 / Act 3: Cendrillon et le prince Fortune (Allegro - Waltz)' came out on January 1, 1981. The duration of The Sleeping Beauty, Op.66, TH.13 / Act 3: Cendrillon et le prince Fortune (Allegro - Waltz) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. The Sleeping Beauty, Op.66, TH.13 / Act 3: Cendrillon et le prince Fortune (Allegro - Waltz)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #17. Based on our statistics, The Sleeping Beauty, Op.66, TH.13 / Act 3: Cendrillon et le prince Fortune (Allegro - Waltz)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op.66, TH.13 / Act 3: Cendrillon et le prince Fortune (Allegro - Waltz) by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op.64 - Act 1: Mercutio | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B♭ Minor | 3 | 3A | 85 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16d, Pas de deux de Fanny Elssler. Man's Solo | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 2 | 6B | 128 BPM | ||
Gaîté parisienne: Ländler (Allegro) | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 76 BPM | ||
La Bayadere: Variation 4: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | ||
Cello Concerto No.1, Op.107: 4. Allegro con moto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | A♭ Major | 2 | 4B | 143 BPM | ||
Don Quixote: Prologue: Sancho Panza, saved from his pursuers, is appointed Don Quixote's squire | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 128 BPM | ||
Le Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des bois | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 137 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Trumpets & trombones) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | F Major | 2 | 7B | 165 BPM | ||
Rossini: Guillaume Tell, Act 3 Scene 2: Danse (Pas de trois. Allegro) | Gioachino Rossini, Royal Philharmonic Orchestra/Lamberto Gardelli, Lamberto Gardelli, Royal Philharmonic Orchestra | A Minor | 3 | 8A | 109 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato: In Tempo I zurückkehren | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | A♭ Major | 0 | 4B | 84 BPM |
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