Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel's 'Romeo and Juliet, Op.64 - Act 1: Mercutio' came out on January 1, 1973. The duration of Romeo and Juliet, Op.64 - Act 1: Mercutio is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Romeo and Juliet, Op.64 - Act 1: Mercutio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #13. Romeo and Juliet, Op.64 - Act 1: Mercutio is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Romeo and Juliet, Op.64 - Act 1: Mercutio by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Tempo I. Energisch bewegt | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 1 | 12A | 132 BPM | ||
Raymonda, Act I: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | G Major | 1 | 9B | 82 BPM | ||
Coppélia / Tableau 3: No. 20 Fête de la cloche: 7a) La paix | Léo Delibes, Ron Golan, Orchestre de la Suisse Romande, Richard Bonynge | F Major | 2 | 7B | 81 BPM | ||
Symphony in D Minor, FWV 48: III. Finale. Allegro non troppo | César Franck, Luxembourg Philharmonic Orchestra, Gustavo Gimeno | D Major | 1 | 10B | 129 BPM | ||
From Holberg's Time, Op. 40: II. Sarabande: Andante | Edvard Grieg, Moscow Soloists, Yuri Bashmet | D Major | 0 | 10B | 95 BPM | ||
La Bayadere: Variation 4: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | ||
Pini di Roma, P. 141: II. Pini presso una catacomba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F Minor | 0 | 4A | 93 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": II. Allegro vivace | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | D Major | 2 | 10B | 86 BPM | ||
Banditen-Galopp, Op. 378 | Johann Strauss II, Wiener Philharmoniker, Lorin Maazel | F Major | 5 | 7B | 92 BPM | ||
Water Music Suite No. 1 (Excerpts): 7. Bourree | George Frideric Handel, New York Philharmonic, Pierre Boulez | C Major | 2 | 8B | 125 BPM |
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