Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth made "Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16d, Pas de deux de Fanny Elssler. Man's Solo" available on January 1, 1983. With Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16d, Pas de deux de Fanny Elssler. Man's Solo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in John Lanchbery, Ferdinand Hérold, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth's "Hérold, Lanchbery: La fille mal gardée" album is number 11 out of 23. Based on our statistics, Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16d, Pas de deux de Fanny Elssler. Man's Solo's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16d, Pas de deux de Fanny Elssler. Man's Solo by Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le pré aux clercs, Acte I Scène 2: No. 2, Duo "Les rendez-vous de noble compagnie" | Ferdinand Hérold, Orquestra Gulbenkian, Paul McCreesh, Jeanne Crousaud, Christian Helmer | D Major | 1 | 10B | 136 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 7, Solor's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | E Major | 3 | 12B | 87 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Carmen Suite No. 1: Entr'acte (Act II) | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Hungarian Dance No.8 in A minor - Orchestrated by R. Schollum | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | A Minor | 1 | 8A | 138 BPM | ||
Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso) | Academy of St. Martin in the Fields | G Minor | 0 | 6A | 133 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Carnival of the Animals, R. 125: Pianists | Camille Saint-Saëns, Gaby Casadesus, Philippe Entremont, Yo-Yo Ma | C Minor | 1 | 5A | 90 BPM | ||
"Still Life" at the Penguin Café - Ballet: 1. Air à danser | Simon Jeffes, Isobel Bradshaw, Henry Roche, BBC Concert Orchestra, Barry Wordsworth | D Major | 2 | 10B | 115 BPM |
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